Surrealists artists were interested in tapping into _______________________ in order to create frightening dream images in their art.

As viewers of art, we can look at and enjoy many different styles of artwork, while artists must choose a path and direction for growth of their development. Multiple choice question.

As viewers of art, we can look at and appreciate a variety of styles, techniques, and mediums used by different artists. However, for an artist, it is essential to choose a particular direction for their growth and development. They need to identify their unique style and create a distinct identity that sets them apart from others.

The path an artist chooses for their growth depends on their personal preferences, interests, and goals. They can choose to specialize in a specific medium, such as painting, sculpture, or digital art. Alternatively, they can focus on a particular style, such as realism, impressionism, or abstract art.

Moreover, an artist's path of growth also involves developing their technical skills and honing their artistic vision. They need to experiment with different techniques, explore new mediums, and push the boundaries of their creativity.

In conclusion, while viewers can appreciate and enjoy different styles of art, artists must choose a path and direction for their growth. They need to develop their unique style, master their technical skills, and create a distinct identity that sets them apart from others.

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Answer:

That would be Matthew Brady

Basically a very talented and celebrated photographer.

In freestanding sculpture, the artist entices the viewer to move around the work by creating a series of changing perspectives. Unlike paintings or drawings, sculptures exist in three dimensions, allowing viewers to view the work from different angles.

This means that an artist can use the varying viewpoints to manipulate the viewer's perception of the work. By changing the relationship between the different parts of the sculpture, an artist can create an experience for the viewer that is unique to their position.

Additionally, freestanding sculptures often have different textures, colors, and forms, which can make them more engaging to the viewer.

By moving around the sculpture, the viewer can appreciate the different facets of the work and how they relate to each other. This experience can create a deeper appreciation for the artwork, as it allows the viewer to understand how the artist has carefully crafted the piece to be viewed in a specific way.

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The CinemaScope was a widescreen system introduced by Twentieth Century Fox in the 1950s.

This innovative technology aimed to enhance the movie-going experience by providing audiences with a more immersive visual and audio experience. CinemaScope initially required a special screen and magnetic stereo sound to achieve its full potential, ensuring that viewers were fully captivated by the expansive display and high-quality audio.
The audio component of CinemaScope used multitrack sound with four channels arranged center, right, left, and rear. This setup allowed for a more dynamic and spatial audio experience, creating a sense of depth and realism in the movie's sound design. By distributing audio across multiple channels, filmmakers were able to mimic the sensation of being surrounded by the action on screen, further drawing viewers into the cinematic experience.
CinemaScope's introduction in the 1950s had a significant impact on the film industry, as it spurred the development of other widescreen formats and pushed filmmakers to create more visually stunning and immersive movies. Its legacy continues today, with modern advancements in both visual and audio technologies consistently pushing the boundaries of what is possible in the realm of cinematic storytelling.

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Young jazz musicians learn from established artists and study jazz history to create innovative music.

Many of today's jazz artists are creating exploratory music on a high artistic level have learned their craft by apprenticing with established artists and studying the history and theory of the genre.

Many young jazz musicians learn their craft by studying and performing with established jazz musicians. This apprenticeship can take many forms, such as taking private lessons, participating in masterclasses and workshops, and playing in bands led by more experienced musicians. Through these experiences, young musicians can learn about the nuances of jazz performance, improvisation, and composition, and develop their own unique styles.

To truly understand jazz and its evolution over time, young musicians often study its history and theory. This can involve reading books and articles on jazz history, listening to recordings of classic jazz performances, and analyzing the structures and techniques used by jazz musicians. By gaining a deep understanding of the genre's roots and evolution, young jazz musicians can build on the work of their predecessors and create new and innovative music.

Armed with the knowledge and skills gained through apprenticeship and study, many young jazz musicians are creating exploratory music on a high artistic level. They are pushing the boundaries of the genre, incorporating new sounds and influences, and creating music that is both innovative and deeply rooted in jazz tradition. Through their creativity and dedication, these young musicians are helping to keep jazz vibrant and alive.

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The Florentine Camerata was a group of Italian scholars and musicians interested in reviving the musical styles of ancient Greek drama, specifically monody and the use of recitative singing.
The Florentine Camerata's important situation used to be to reform the ornamental excesses and carry about a greater beautiful and expressive fashion of singing, however in so doing, they laid foundations for later operatic composers such as Monteverdi who would make sizable contributions to the rising operatic genre.The Florentine Camerata was a group of musicians, poets, and scholars interested in reviving Greek drama and its musical aspects.

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The sculptural technique where objects and figures do not project from the surface but are carved deep into the surface is called sunken relief or incised relief.

In this technique, objects and figures are carved deep into the surface rather than projecting outwards from it. This results in a distinct visual effect, where the image appears more as an indentation than a protrusion. The sunken relief is commonly found in various ancient cultures' artworks, including those of the Egyptians and Maya. This technique is often used to create intricate designs and patterns that remain within the surface, providing a subtle yet captivating aesthetic.

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Context refers to the circumstances that surround the creation, production, and reception of a work of art. It is a crucial factor that ties a work of art to various aspects of human society. Context encompasses a broad range of influences, including the life of the creator, the tradition it grows from, and the audience for which it was made.

Additionally, context also includes the societal and cultural environment in which the work was circulated. In other words, a work of art is always connected to its context, which can shape its meaning, reception, and interpretation.

Thus, all of the answer choices - life of its creator, tradition it grown from, audience for which it was made, and society in which it was circulated - are correct.

The context of a work of art provides important insights into its history, cultural significance, and relevance to contemporary audiences. Therefore, understanding the context of a work of art is essential for interpreting and appreciating it fully.

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It can be inferred that spared in this context means saved. (Option B)

Context cues are suggestions contained inside a sentence, paragraph, or chapter that might help a reader comprehend the meanings of new or unfamiliar terms.

Context Clues are indications provided by the author to assist define a difficult or unique term. The hint may be in the same phrase as the word to which it refers, or it may appear in a sentence preceding it.

Gerard, for example, was so hungry that he ate three sandwiches and a quart of milk for lunch. Gerard was hungry, according to the context cues (hints) in the statement.

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The title of Giovanni Boccaccio's collection of stories set near Florence during an outbreak of the black plague is The Decameron.

It is a collection of 100 tales told by ten young people who had fled Florence to escape the ravages of the plague. Each person tells a story each day for ten days, making a total of 100 tales. The stories cover a wide range of subjects and themes, from love and lust to morality and religion. Boccaccio's "The Decameron" was written in the 14th century and is considered one of the greatest works of Italian literature. It is also an important document of the social and cultural life of Italy during the time of the black plague. The book has been translated into numerous languages and has inspired many other writers over the centuries. In summary, "The Decameron" is a masterpiece of storytelling that captures the essence of life in 14th-century Italy.

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Art can be controversial as it can be art that angers or offends people; art that many do not consider to have artistic merit; art that is ignored in its own time but later recognized as a masterpiece; or art that challenges viewers' expectations in some way.

Art is often controversial because people will always have different points of view. Some of them appreciate the piece of art while others go against it. Everyone has different opinions about the work of art. Hence, art is often considered as a controversial topic. Artwork conveys a certain message of an artist. It showed the ways artists consider life.

Artists have many ways to depict their feelings, therefore many of them are appreciated and some are criticized too. Art is Often controversial because of the difference of opinions of people regarding the artwork.

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Mahler's alterations to the traditional French round in the third movement of his Symphony No. 1 include transposing the melody to a minor key, re-orchestrating it, slowing down the tempo, changing the harmonization, and integrating the theme with other musical material to create a more complex and somber musical landscape.

Mahler alters the traditional French round in the third movement of his Symphony No. 1, also known as "Frère Jacques," in the following ways:

1. Transposition: Mahler transposes the melody from its original major key to a minor key, giving the theme a more somber and melancholic tone.

2. Orchestration: He re-orchestrates the melody, assigning it to different instruments such as the double bass, bassoon, and tuba, which provides a more haunting and solemn sound.

3. Tempo: Mahler slows down the tempo of the original round, transforming the playful children's song into a somber funeral march.

4. Harmonization: The composer alters the harmonization of the theme, incorporating dissonant chords and chromaticism, which adds to the overall sense of unease and tension in the music.

5. Integration with other themes: Mahler weaves the altered "Frère Jacques" theme throughout the third movement, combining it with other thematic material and motifs, creating a more complex and sophisticated musical structure.

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Edgar Degas was known for his interest in capturing candid moments, which is a common trait in street photography. His paintings often feature asymmetry, which is also a hallmark of the street photography genre. Degas' use of asymmetry adds a dynamic element to his compositions, and he was able to skillfully capture the essence of everyday life through his paintings. His attention to detail and the use of vibrant colors in his works make them stand out and continue to inspire contemporary artists.

While Wagner was working on "The Flying Dutchman," Edgar Degas was beginning to establish himself as a prominent French Impressionist painter. Degas was known for his keen observation of everyday life and his ability to capture candid moments on canvas. His paintings often featured scenes from Parisian streets, cafes, and dance halls, portraying the bustling energy of the city. He employed various techniques, such as cropping and unconventional angles, to create a sense of immediacy and capture the fleeting nature of these moments.

His focus on the mundane aspects of life was a revolutionary departure from the traditional, idealized subjects of art, and his approach paved the way for a new generation of artists who sought to capture the beauty in the ordinary.

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For her peers, Teresa is expected to compose her own oratorio. It must be made by her in the Baroque fashion. The MOST suitable subject matter for Teresa to chose for her oratorio is baroque music, a musical genre.

Baroque music, which was popular from around 1600 to roughly 1750, is renowned for its grandiose, dramatic, and spirited character as well as for its stylistic variety.

Another well-liked genre during the baroque era was the oratorio. In that it was a protracted musical drama, the oratorio was comparable to an opera; nevertheless, it was holy music (based on religious themes or text). Between the Baroque and Romantic eras is the Classical era.

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Answer:

To find the enharmonic name for any given note, you can either raise or lower the note by a semitone using a sharp (#) or a flat (b) sign. For example, if you have a note G#, you can lower it by a semitone and call it Ab. Or if you have a note Bb, you can raise it by a semitone and call it A#. The enharmonic name you choose depends on the context and the key signature of the music.

Here is the matching of the given terms with their respective musical properties:

A. Diegesis - This term refers to the narrative context of music, usually in films, where the music is part of the story world, e.g., a character playing a musical instrument.

B. Meter - This is related to the rhythmic structure of music, which includes groupings of beats. Triple meter refers to a pattern with three beats per measure (e.g., waltz).

C. Ambient music - This term is associated with form (or lack thereof), as ambient music often focuses on creating a mood or atmosphere, rather than adhering to a strict musical form.

D. Accelerando - This term refers to tempo, as it indicates a gradual increase in speed throughout a musical piece.

E. Loud and Soft - These terms are related to dynamics, as they describe the varying levels of volume in a piece of music.

D. Ritardando - This term is also related to tempo, as it indicates a gradual decrease in speed throughout a musical piece.

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The ornamentation in Tomas's Baroque composition will be most apparent to his audience through the use of intricate and embellished musical passages.

Ornamentation in Baroque music refers to the addition of decorative musical elements, such as trills, mordents, and arpeggios, to a melody or musical phrase. These embellishments serve to enhance the expressive qualities of the music and add a sense of complexity and virtuosity to the composition. In Tomas's Baroque composition, the ornamentation will likely be prominent throughout the piece, with intricate and elaborate passages that showcase the technical skill and artistry of the performer. This ornamentation will be most apparent to the audience through the use of fast, virtuosic runs, intricate rhythmic patterns, and complex harmonies that draw attention to the decorative elements of the music.

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Answer:

Explanation:

art is not consedred art

Photographs have only recently been widely collected by fine art museums because for a long time they were considered by some not to be art.

Photographs have only recently been widely collected by fine art museums because for a long time they were considered by some not to be art. The debate over whether photography should be classified as art has been ongoing since the medium's inception in the early 19th century. In the early days, photography was seen as a mere tool for documentation and was not considered a legitimate art form.

However, over time, photographers began to experiment with the medium and push the boundaries of what was considered acceptable in the art world. They began to create images that were more than just records of reality, but rather, were expressive and artistic. As a result, attitudes towards photography began to change, and it was gradually accepted as a legitimate form of art.

Despite this, it still took a long time for museums to begin collecting photographs. This was partly due to the high cost of acquiring them, but also because many curators and collectors still did not consider photography to be on par with other forms of fine art. It was only in the latter half of the 20th century that this attitude began to shift, and photography began to be more widely recognized as a valuable and important part of the art world.

Today, photographs are an integral part of many museum collections, and are often displayed alongside other forms of art. While there may still be some who question whether photography truly belongs in the realm of fine art, there is no denying that it has become an important and influential medium in its own right.

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An irrelevant statement about reproducibility in relation to the Modern Woodcut Movement would be that traditional oil painting techniques were not reproducible. This statement is irrelevant because it does not pertain to the printmaking techniques used in the movement, which relied heavily on the reproducibility of print technology.

In the Modern Woodcut Movement, artists created prints by carving designs into wooden blocks, which were then inked and transferred onto paper. This process allowed for multiple copies of the same design to be produced, making the prints more accessible and affordable to a wider audience.

The reproducibility of print technology was a significant factor in the success of the Modern Woodcut Movement. It enabled artists to distribute their work more widely, and also allowed for experimentation with new techniques and styles.

Overall, the ability to reproduce prints played a crucial role in the development of the Modern Woodcut Movement and was a driving force behind its popularity and influence in the art world.

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Merit Oppenhiem created a Surrealist work titled Object, which is an example of incongruence. In this work, she melded together a teacup and saucer with fur, creating a sense of absurdity and surrealism. This combination of two ordinary and unrelated objects results in a unique and unsettling image, challenging our expectations and perceptions of everyday objects.

Merit Oppenhiem's Object is a prime example of Surrealism, a movement that aimed to explore the workings of the unconscious mind and tap into the power of the imagination. Surrealist artists often created works that juxtaposed seemingly unrelated objects or ideas, creating a sense of disorientation and surprise in the viewer. The object is a particularly striking example of this approach, as it challenges our assumptions about the function and purpose of everyday objects. The use of fur adds an element of tactility and sensuality to the work, further heightening the sense of incongruity and subverting our expectations of what is considered beautiful or desirable.

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Balinese gamelan music involves little to no improvisation in contrast to Javanese music. This claim is accurate. True.

Balinese gamelan features powerful, dynamic tones with quick music rhythms, whereas Javanese gamelan has gentle, sluggish tones. Sundanese gamelan, which is dominated by the sound of flutes, is both soft and mellow.

While improvisation, or the spontaneous composition of new music while performing, may be used in Javanese gamelan, it is not customary in Balinese gamelan. Each orchestra may have instruments tuned in a variety of various tuning systems since gamelan is linked with a number of distinct tuning systems. The tonal, spontaneous music has intricate rhythms and harmonies.

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Answer:

Working for someone else and becoming an entrepreneur are two very different paths, each with its own advantages and disadvantages.

When working for someone else, you generally have more stability and security in terms of a regular paycheck and benefits such as health insurance, retirement plans, and paid vacation time. However, you may have less control over your work schedule, the tasks you are assigned, and the direction of the company.

On the other hand, becoming an entrepreneur can offer much more freedom and control over your work, as well as the potential for greater financial rewards. However, it also involves taking on more risk and uncertainty, as there is no guarantee of success and you may be responsible for all aspects of your business, from finances to marketing to operations.

I would probably choose entrepreneur because of freedom.