look at this painting by parmigianino what mannerist technique is used in its description of the madonna
a distortion
b unnatural color
c abstraction
d disharmony

Answer: i have a lot lol

Explanation: brainliest? It’s ok if no

Answer:

Contrast

Explanation:

Look it up

Answer: Rib vaults are groin vaults with extra stone ribbing.

Explanation:

Answer:

Rib vaults are groin vaults with extra stone ribbing.

A groin (or cross) vault is formed by the perpendicular intersection of two barrel vaults. A rib (or ribbed) vault is supported by a series of arched diagonal ribs that divide the vault's surface into panels.

Answer:

Abstract mostly black and rusty orange colors with a swirl like pattern. Drab and bland.

Explanation:

Answer:

Abstract mostly black and rusty orange colors with a swirl like pattern. Drab and bland.

Explanation:

Answer:

Explanation:

Answer:

The setting of Ratched is mostly in a hospital with the acception of the outdoors, a rented room, and some other places. All the costumes used are either the main nurse outfits, or formal wear, with some "regular" clothing here and there. The costume designer's roles and responsibilities include: making sure all the outfits are taliored correctly, that they all match/are consistant with eachother, and are fitting for the scene.

I hope that helps! This was my project on it.

Answer:

In the movie, Raiders of the Lost Ark, the lead character is Indiana Jones. Harrison Ford plays the role of an archaeologist and an adventurer. Some enthusiasts have nicknamed the character “Indy.” Ford’s costume in this movie (and its sequels) is designed to reflect Indiana Jones’s preference for active, tough outdoor adventures in mountains, rocky areas, caves, and wild environments. The costume, and its accessories, are popularly called “Indy’s duds.”

The costume designer Deborah Nadoolman Landis designed the original Indy costume. She researched costumes worn by archeologists in earlier movies. She visualized the basic idea for Indy’s costume based on the actor Charlton Heston’s costume in the 1954 movie, Secret of the Incas. In this movie, Heston’s character wears a fedora (a hat) and a leather jacket, and carries a whip. These three costume accessories (hat, jacket, and whip) are featured in every Indy film, and they define the character of Indiana Jones almost as much as the actor himself.

When costumes are made for a movie, they are often adapted, not only to suit the actor’s physical appearance, but also to aid other aspects of the movie-making process. For example, costume designers must keep in mind the cinematographer’s needs when creating hats. They must consider whether the audience will be able to see the actor’s eyes and face in every scene, from different angles. Collaborating with Deborah, Harrison Ford tried on many different hats until they selected one that suited his gruff personality. Then, Deborah modified this hat, giving it a narrower brim and a lower crown to keep Indy’s eyes and face clearly visible in all the shots.

The director, Steven Spielberg, was very specific about the kind of leather jacket he wanted. Accordingly, Deborah designed over a dozen exclusive jackets that included “action” pleats at the back. These pleats allowed Ford to move his hand easily whenever he needed to use his whip in an action sequence. Each of the jackets was “aged” so that it looked as if it had been used outdoors in dusty surroundings for many years.

These aspects of costume design in this movie show how the designer’s roles and responsibilities include research, visualization, selection, and adaptation of costumes, and also collaboration with the actor and director.

Explanation:how you doin?

Answer:

1 2+ 3+ 4

1

1 e + a 2+ 3 4+

I dunno about the last line lol

Explanation:

Answer:

number 8. A

number 12. E

Answer:

Pop art is a movement that emerged in the mid-20th century in which artists incorporated commonplace objects—comic strips, soup cans, newspapers, and more—into their work. The Pop art movement aimed to solidify the idea that art can draw from any source, and there is no hierarchy of culture to disrupt this.

Explanation:

Answer:

What do you mean?

Explanation:

Answer:

Artistic Features and Fundamentals

Answer:

Question please?

Explanation:

That wasn't really a question but those are the characteristics of photography.

Answer:

Thank chu bro

Answer:

c. Idiophone

Explanation:

Musical instruments are classified into different kinds. The "kulintang gamelan" and "ching" are classified as "Idiophones." This kind of instrument produces a sound when it vibrates. Such vibration occurs when the instrument is struck by fingers, hands, or other things. It may also vibrate by simply shaking it. These instruments are made of of different materials (wood, glass, metal, etc.)

The Kulintang Gamelan uses mallets/sticks while the Ching uses the fingers.

Answer:

They are used to ... 1 inch = 10 feet 1 inch = 40 feet.

Explanation:

i did this u can trust me it's right :)

hit the THANK YOU!! button.

Answer:

you were right for the first three the rest is l,s,s,l,s,s,l,s,s,l,s

Explanation:

beocuse they are on the lines and spaces

Answer:

main idea

Explanation:

Answer:

I believe Pentatonic/ not exactly sure

Explanation:

Ive played upright bass for 6 yrs

Answer:

El Greco is best known for his tortuously elongated figures painted in phantasmagorical pigmentation, which almost resembled chalk with its blunt vividness.

Explanation:

IDC

Answer:

mute

Explanation:

Answer:

I believe Alvin Ailey meant that everybody should be given the chance to dance despite their race or color (or whatever background they have). What is important is their commitment and passion for dancing. Dance performances should also be seen by everyone, whether black or white. It should let people know how dance reflects them and how the "human spirit" flows through different dances.

Explanation:

Alvin Ailey was an African-American in the 1900s who experienced the inequality brought about by segregation of races. He grew up with his mom as force laborers. Luckily, they were able to transfer to Los Angeles. From there, he learned the art of dancing and became a professional in it over time. Soon, he opened the Alvin Ailey American Dance Theater which targeted the black dancers. He gave them the opportunity to showcase their talents despite being lowly treated by society. He gave them hope and self-esteem to achieve their dreams.

Answer:

Explanation:

Diet in early Virginia Indian society changed significantly from the Ice Age to the English colonists' landing at Jamestown in 1607, from initially relying more on meat to over time increasingly combining wild game, fish, nuts, and berries

Answer:Diet in early Virginia Indian society changed significantly from the Ice Age to the English colonists' landing at Jamestown in 1607, from initially relying more on meat to over time increasingly combining wild game, fish, nuts, and berries

Explanation:

Answer: D

When I look at the artwork of famous photographers, I get more experience in inspiration. I get knowledge of what to photograph. I learn new ideas, like how to edit with different filters. And lastly, I learn more technical skills because I learn how to fix photos when they do not come out good.

Hope this answer helps!

Answer:

I believe its D. All of the above.

Explanation:

Well any of these can really occur while studying famous photographers. You could get inspired to try it yourself, learn some ideas on maybe a project, drawing or photo, and you could learn some technical skills.

I know its not much but I hoped I helped. :)

Answer:

c

Explanation:

It on ☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺you

Answer:

The three things I drew, but I’m not sure if this is what you meant

Explanation:

A sphere, a dining chair, and a cube

edit: I added a new drawing

Answer:

No problem!

Explanation:

The inclusion of a lower neighbour note, B flat, forms a motif that will be heard, transposed, in the second theme .

MODERATO

The key is established by dominant seventh and tonic harmony in Bar 8-9. The theme is embellished with a florid vocal-like fioritura in Bar 33. The harmony is coloured by diatonic sevenths, , secondary dominant sevenths , diminished sevenths and suspensions . The opening passage features appoggiaturas in both hands .

It ends with a V7 – i cadence in G minor in Bar 39-40, then is repeated, agitato. The sempre più mosso passage is based on tonic, dominant, and diminished seventh harmony, with a strong tonic presence in the bass . The harmony moves in a circle of fifths in Bars 72-75 , with extensive use of suspensions and appoggiaturas in the melody for expressive dissonance. The theme is restated from Bar 76, now ending with a strong VI7 – II7 – V7 – I progression in Bars 80-82 to confirm the key of E flat major.

There is a constant crotchet broken chord accompaniment through this passage, with some syncopation in the melody, including an implied hemiola in Bar 73-74, where the right hand part of each bar is grouped into three minims rather than two. The melodic motif in this passage sometimes recalls the first theme . The harmony rises by thirds in Bars 90-93 , moving towards A minor and settling on its dominant in Bar 94.

A TEMPO

The melody keeps stepping up to the leading note in Bars 102, 103, and 104, as if striving for the tonic, but is sent back to the submediant note instead each time. The prevailing diminished seventh harmony in these bars heightens the sense of harmonic frustration. The initial dominant seventh and tonic progression releases the tension that had built up in the preceding bars. The theme is now much more exuberant than before, in strong chordal texture and with some florid embellishment.

The ending is extended from Bar 118, leading to a fff diminished seventh chord in Bar 124. It continues in E flat major, using tonic and dominant seventh harmony at first. There is an unexpected shift to F sharp minor in Bars 154-155, and the bass descends by semitones in Bars 155-158, leading to the tonic chord of E flat major in second inversion. The key of E flat major is reconfirmed by dominant and tonic harmony in Bars 158-163, and there is a momentary shift to E flat minor in Bars 164-165.

Bars 191-193 return to G minor.

PRESTO CON FUOCO

The Neapolitan sixth reappears in Bars 216, and 224, together with many dominant and diminished sevenths, and some chromatic movement in the bass, but there is no further modulation. There is an extended dominant-tonic progression in Bars 246-252, and there are references to the first theme in Bare 253 and 257.

I hope this helps, if it doesn't there is a site called tonic chord that might help you

Precise

What tool are you using to blend pencil or charcoal drawings? Your finger? A raggedy old cloth? If you have not added a blending stump, or tortillon, to your art supplies, you might want to consider it.

Answer:

Def Scourge

Explanation:

:3

Answer:

Firestar

Explanation:

DUH