help me pls in to lazy to do it

False. Theatre of the Oppressed is not an avant-garde theatrical movement started by playwright Tadashi Suzuki.

Theatre of the Oppressed is a form of theater created by Brazilian playwright and director Augusto Boal. It is rooted in the idea of using theater as a means of social and political activism. Boal developed techniques and practices that aim to engage audiences and participants in exploring and challenging systems of oppression and inequality.

Through interactive and participatory performances, Theatre of the Oppressed seeks to empower marginalized communities, encourage dialogue, and promote social change. Tadashi Suzuki, on the other hand, is a renowned Japanese theater director known for his influential Suzuki Method of actor training, which focuses on physicality and presence on stage.

While both figures have made significant contributions to theater, they represent distinct movements and approaches within the theatrical landscape.

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Franz Schubert was not indebted to classical traditions in the genre of Lieder (art songs).

Franz Schubert, a prominent composer of the Romantic era, was primarily indebted to classical traditions in his music.

However, there is one particular genre in which Schubert's compositions showcased a departure from the classical conventions of his time. That genre is the art song, specifically the Lied (plural: Lieder) in German.

Schubert's Lieder were a significant contribution to the development of this genre. While the Lied itself emerged during the classical period, Schubert expanded and transformed it in ways that distinguished his work from the classical tradition.

He brought a new level of emotional depth, harmonic exploration, and textural richness to his Lieder, often setting poems by well-known German poets to music.

Schubert's Lieder compositions pushed the boundaries of classical song structure, employing more expansive and expressive forms. He explored profound emotional states, vividly conveying the sentiments and moods of the text through his music.

The harmonic language he used in his Lieder compositions often included unexpected modulations, chromatic-ism, and expressive dissonances, departing from the strict tonal framework of classical traditions.

Furthermore, Schubert's use of the piano accompaniment in his Lieder was innovative, going beyond a simple harmonic support role. He treated the piano part as an equal partner to the vocal line, creating intricate and expressive interactions between the voice and the piano.

Overall, while Schubert was predominantly indebted to classical traditions in his music, his contributions to the Lied genre showcased his departure from some of those traditions.

His Lieder compositions represented a significant step towards the expressive freedom and exploration of emotions that became characteristic of the Romantic era.

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Answer: Cool im bisexual

Answer:

Hey! I am bisexual :)

Explanation:

Answer:

here in georgia we need concerts to help the less fortunate with hostiptal bills

Explanation:

their have been no less than 10 major wrecks in the last week, so the people that may not be able to pay their bills after recovery the concert money will help them alot.

Answer:

Here in Alaska we need them for entertainment because we get almost none up here

Explanation:

Answer:

I know right!! what kind of art do you like doing??

Explanation:

oh great ..............

In the 1920s and 30s, sales of southern rural music became artificially segregated because of the racial segregation prevalent in the United States at that time.

Record companies would often create separate labels for black and white artists, leading to the marketing and distribution of different genres of music to different racial groups.

This segregation resulted in the promotion of blues, jazz, and gospel music to African American audiences, while country, folk, and Western music were marketed to white audiences.

The segregation was also perpetuated by radio stations, which would play music targeted towards their respective racial groups.

Overall, the artificial segregation of southern rural music during this time was a reflection of the deeply ingrained racial divisions in American society.

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Answer:

1 answer

Jan 13, 2021 — Learning Task 6: Complete the statement below base from your output and - 9184008. ... 1. I employ (elements and principles of arts and design) in my work. 2. What I gained from this lesson is_________. 3. If I were to apply the learnings I gained, it would be_________. 4. The skills and attitude that was ...

Explanation:

The Greek amphitheater is traditionally carved into a hillside. This architectural feature allows for natural slope seating, providing optimal viewing angles and acoustic qualities for the audience.

The design of the Greek amphitheater typically involves excavating the seating area into the natural slope of a hillside. This technique offers several advantages. Firstly, the hillside provides a natural incline, allowing for tiered seating that ensures clear sightlines for the audience.

This arrangement ensures that each row of seats is elevated slightly above the row in front, maximizing visibility of the stage and performers. Secondly, the hillside configuration helps to enhance the acoustic properties of the theater.

The curved shape of the seating area helps to project and amplify sound, allowing for better acoustics and ensuring that the performances are audible to the entire audience. By utilizing the natural topography, Greek amphitheaters achieve an optimal arrangement for both visual and auditory experiences during theatrical performances.

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Sonny Bono worked under influential member Phil Spector in the music industry.(c)

Phil Spector, known for his "Wall of Sound" production technique, was a highly influential figure in the music industry during the 1960s. Sonny Bono, along with his then-wife Cher,

began their music career working with Phil Spector. Spector produced some of their early hits, such as "Baby Don't Go" and "The Beat Goes On."

Spector's innovative production style, characterized by layered instrumentation and a dense sound, helped shape the sound of the era.

While Sonny Bono later became a successful musician and politician in his own right, his early collaboration with Phil Spector played a significant role in their musical development and success.

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Answer:

purple or red or blue I kinda forgot

The answer to the multiple-choice question regarding the duration of a full-length play from a historical perspective is typically option d. between three and four hours.

Historically, full-length plays have often been longer than contemporary productions. During different periods, such as the Elizabethan era in England or the classical period in Ancient Greece, plays could span several hours. Shakespearean plays, for example, were known to be quite lengthy and could last up to four hours, including intermissions. These plays often had multiple acts and intricate plotlines, allowing for a more immersive theatrical experience. However, it is essential to note that the duration of plays has evolved over time. Modern theater has seen a shift toward shorter plays, with the average running time ranging from two to three hours, including intermissions. This change reflects audience preferences and the need for more concise storytelling in a fast-paced world. Factors such as genre, style, and cultural context also influence the duration of a play. Experimental theater pieces or one-act plays may be significantly shorter, while epic productions or large-scale musicals can extend beyond the traditional duration.

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Answer:

Learn vocabulary, terms, and more with flashcards, games, and other study tools. ... Calpurnia decides to take Jem and Scout to her church because Atticus is out of ... Scout tell us that Maycomb would've grown into a much bigger town, if it had ... When Dill sneaks into the Finch house, where does he hide for a few hours.

Explanation:

Answer:

B. clubs and other live performance venues

Explanation:

A&R coordinators search to find new, unsigned talent at clubs and other live performance venues.

A&R coordinators search in clubs and other live performance venues for new, unsigned talent. Thus, the correct answer is option B.

Music talent scouts are another term for A&R coordinators. These individuals are in charge of finding fresh vocalists and producers for their firm. A&R experts work directly with musicians to assist them in making critical decisions about their music and their careers.

People in this sector typically spend their time working late in the studio while producing music or holding lengthy sessions with possible talent. They help emerging performers get signed and oversee the recording and production of their songs and albums. A&R coordinators at clubs and other live performance venues are looking for new, unsigned talent.

Therefore, option D is correct.

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Answer:

Theres a large tree, its flowerless a dark dark shade of brown, below it is the lifeless grass a yellowish green, fading from its true color, sticks from the trees lay on the grass, you can see the stream in the distance, a light shade of  blue with chirping birds around it. The stream brings life to a lifeless scene.

Explanation: just use ur imagination art is about creativity

Answer:

b its b

Explanation:

The sculpture by Claes Oldenburg and Coosje van Bruggen called Plantoir creates shock value through the use of scale and juxtaposition.

In the work, Plantoir, Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale by creating a large, three-dimensional representation of a garden tool.

In the work, Plantoir, artists Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale. The work is a large, three-dimensional representation of a common garden tool- a plantoir or a trowel. Its enormous size gives it a surreal effect that captures the viewer's attention and creates a sort of shock value. The artists often used everyday objects, inflated to a monumental scale, to blur the boundaries between art and reality. Thus, the shock value in the work Plantoir emanates from the unexpected transformation of a regular, mundane item to an unusual, gigantic piece of art.

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Answer:

White

Explanation:

Answer:

White

Explanation:

cause, it's not

Answer:

on it:)

where can i send it to?

Answer:like what picture please tell me i am good at drawing.

Explanation:

Answer:

Khalid

Explanation:

He never has a bad song. His voice and songs are always calming. I'd say he he is his own genre. I always have them on repeat :)

hope this is good enough !!

Answer:

the two other reason we should study musical elements is that studying music can have a significant impact on students and their ability to memorize, to increase creativity and their opportunity for collaboration.

The reasons why we should study musical elements include:

Musical elements are the parts or the features of music that are put together to create music. Musical elements include pitch, tempo, structure, texture, timbre, dynamics, melody as rhythm.

Also, when one understands, the elements of music, the person can be able to perform, compose or analyze any music.

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Answer:

oof, that sucks lol

Answer:

I know !!!!

Explanation:

Answer:

wow, what was this, very funny

Answer:

Thank you! <3

Answer:

sorry I cannot help you

sorry I cannot help you

Answer:

Does it have to be in color or  can it be in black and white

Explanation:

Answer:

The purpose of cave art, particularly Upper Paleolithic cave art, is widely debated. Cave art is most often associated with the work of shamans—religious specialists who may have painted the walls in memory of past or support of future hunting trips.

Swift's satirical style is sharper and bolder than Pope's.  

Pope's satire is often written in the form of banter or a light-hearted style, lulling the reader into a false sense of complacency with the ridiculed subject.

Swift's satirical style is sharper and bolder than Pope's. While Pope's could be considered gently chiding and subversively mocking, Swift tended towards the outrageous and shocking. His work, A Modest Proposal, is an excellent example of his propensity towards biting, scathing satire.

To prove that -u is the unique vector in v such that u (-u) = 0, we need to demonstrate two things: (1) that -u satisfies the given condition, and (2) that there is no other vector in v that satisfies the condition.

First, let's show that -u satisfies the condition. We have u (-u) = -u u = -||u||^2. Since -||u||^2 is equal to 0 if and only if ||u|| = 0, we can conclude that -u satisfies the condition.Now, let's prove that -u is the unique vector in v that satisfies the condition. Suppose there exists another vector x in v such that u x = 0. Since u (-u) = 0, we can subtract this equation from u x = 0 to get u (x - (-u)) = 0.

Simplifying, we have u (x + u) = 0. This implies that the dot product of u and (x + u) is 0. However, the dot product of two vectors is 0 if and only if the vectors are orthogonal. Since u and (x + u) are not orthogonal, we reach a contradiction. Hence, we have proven that -u is the unique vector in v such that u (-u) = 0.

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